Esthetics.cc

PICTORIAL ILLUSTRATIONS.

1. ACROPOLIS, Restoration of the West end of the, <<page 15>>
a. From White’s “Plutarch”, mentioned on pages 16, 75, 89, 123, 207, 261.

2. COLOGNE CATHEDRAL, facade. <<page 17>>
a. From a photograph, mentioned on pages 18, 87, 90, 190, 207, 291.

3. TAJ-MAHAL, façade, Agra , India <<page 19>>
a. from a photograph, mentioned on pages 18, 75, 77, 87, 96, 124, 180, 186, 190, 207, 261.

4. EDISON BUILDING , New York , <<page 21>>
a. From Architectural Record, mentioned on pages 22, 189, 208

5. CENTRAL CONGREGATIONAL CHURCH, Providence RI <<page 23>>
a. from Architectural Record, mentioned on pages 22, 189, 208

6. ROMANS BESIEGING A GERMAN FORTRESS, <<page 27>>
a. From baring-Gould’s “ Germany “, mentioned on pages 16, 26, 174, 182.

7. EROS, statue of, in British Museum , <<page 30>>
a. From Muller’s “Denkmaler der alten kunst”, mentioned on pages 31, 186, 289.

8. TOWER WITH RING, <<page 31>>
a. From Ruskin’s “Elements of Drawing”, mentioned on page 31.

9. ANCIENT KORAN CASE <<page 38>>
a. From Lane-Poole’s “Moors in Spain “, mentioned on pages 37, 224.

10. SCHOOL OF ATHENS , by Raphael <<page 41>>
a. From photograph of an engraving, mentioned on pages 39, 82, 242.

<xv>

11. GATE OF SERRANO, Valencia , Spain <<page 47>>
a. From Lane-Poole’s, "Moors in Spain ", mentioned on pages 48, 79, 87, 96.

12. SACRED HEART, Church of, Paris , <<page 49>>
a. From the Architectural Record, mentioned on pages 18, 50, 190, 264

13. LEAVES ILLUSTRATING PRINCIPALITY, SUBORDINATION, AND COMPLEMENT, <<page 69>>
a. From Ruskin’s “Elements of Drawing”, mentioned on page 69.

14. PIANKLI RECEIVING THE SUBMISSION OF NAMRUT AND OTHERS, <<page 70>>
a. From Rawlinson’s “Ancient Egypt”, mentioned on pages 70, 189.

15. HENRY II RECEIVING FROM GOD THE CROWN, ETC., <<page 71>>
a. From Baring-Gould’s “ Germany “, mentioned on pages 72, 18.

16. THE DESCENT FROM THE CROSS, by Rubens <<page 73>>
a. From a photograph, mentioned on pages 16, 72, 80, 144, 190, 214, 235, 257.

17. LEDA, statue at Florence , <<page 74>>
a. From Muller’s “Denkmaler der alten kunst”, mentioned on pages 74, 85, 179, 289.

18. TITUS, statue from the Louvre, <<page 74>>
a. From Muller’s “Denkmaler der alten kunst”, mentioned on pages 75, 85, 120, 180, 289.

19. DIANA, statue from the Louvre, <<page 75>>
a. From Muller’s “Denkmaler der alten kunst”, mentioned on pages 75, 85, 120, 186.

20. MERCURY, bronze statute of, from Herculaneum , <<page 76>>
a. From Muller’s “Denkmaler der alten kunst”, mentioned on pages 75, 85, 120.

21. THE WRESTLERS, sculpture of <<page 77>>
a. From Abbott’s “Pericles”, mentioned on 75, 85.

22. HOUSES OF PARLIAMENT, from Old Palace Yard, <<page 78>>
a. From a photograph, mentioned on page 76.

23. ST. PETER’S, façade, at Rome <<page 78>>
a. From a photograph, mentioned on pages 18, 77, 87, 96, 124, 186, 207, 265.

<xvi>

24. TWIN VILLA <<page 79>>
a. From Palliser, Palliser, & Co. Architects, New York , mentioned on pages 77-79, 123, 124, 187.

25. INVESTITURE OF A BISHOP BY A KING, <<page 80>>
a. From Baring-Gould’s “ Germany “, mentioned on pages 48, 79.

26. POLLICE VERSO, by Gerome, <<page 81>>
a. From a photograph, mentioned on pages 16, 30, 72, 80, 82, 144, 172, 179, 182, 217, 239, 257.

27. DISCOBOLUS, statue of <<page 83>>
a. From Turner’s “Short History of Art” mentioned on page 85.

28. SMALL HOUSE <<page 84>>
a. From Palliser, Palliser, & Co. Architects, New York , mentioned on pages 85, 96, 124, 187.

29. PALACE OF JUSTICE , Lyons <<page 85>>
a. From a photograph, mentioned on pages 87, 96, 261.

30. SULEYMANIYA MOSQUE <<page 86>>
a. From Lane-Poole’s “ Turkey “, mentioned on page 90.

31. ST. MARK’S, Venice , with Campanile <<page 88>>
a. From a photograph, mentioned on pages 18, 77, 87, 90, 96, 124, 180, 186, 190, 207, 261, 262.

32. CANTERBURY CATHEDRAL from Southwest <<page 89>>
a. From a photograph, mentioned on pages 18, 77, 90, 124, 207, 261.

33. IFFLEY CHRUCH, England <<page 90>>

a. From a photograph, mentioned on pages 92, 124.

34. SHADYSIDE PRESBYTERIAN CHURCH <<page 91>>
a. From the Architectural Record, mentioned on pages 92, 96, 124, 186, 190.

35. PLAN FOR A CHURCH EXTERIOR <<page 93>>
a. From G. H. Edbrooke, Architect, New York , mentioned on page 92.

36. INTERIOR GROUND PLAN OF SAME CHURCH <<94>>
a. From G. H. Edbrooke, Architect, New York , mentioned on page 92.

<xvii>

37. CATHEDRAL, Ground Plan for <<page 95>>
a. From G. H. Edbrooke, Architect, New York , mentioned on page 95.

38. LA BELLE JARDINIERE, by Raphael <<page 116>>
a. From a photograph, mentioned on page 116.

39. MADONNA DELLA SEDIA, by Raphael <<page 117>>
a. From a photograph, mentioned on page 117.

40. EVENING, by Claude Lorraine <<page 119>>
a. From a photograph, mentioned on pages 31, 118, 146, 156, 172.

41. MARKET OF ATHENS RESTORED <<page 121>>
a. From Harrison’s “ Greece “, mentioned on pages 79, 120, 122, 123, 289.

42. ST. SOPHIA, CONSTANTINOPLE <<page 123>>
a. From Lane-Poole’s “ Turkey “, mentioned on pages 18, 76, 77, 96, 124, 180,187, 190,207, 261, 262.

43. VILLAGE DANCE, by D. Teniers, <<page 143>>
a. From a photograph, mentioned on pages 16, 82, 144, 190.

44. A STORM, by J. F. Millet <<page 145>>
a. From a photograph, mentioned on page 144.

45. GROUP OF NIOBE, sculpture from <<page 146>>
a. From Muller’s “Denkmaler der Alten Kunst”, mentioned on pages 16, 144, 204, 257, 298.

46. TRANSFIGURATION, by Raphael <<page 147>>
a. From a photograph, mentioned on pages 72, 82, 116, 118, 148, 257.

47. CANAL, by Corot <<page 157>>
a. From a photograph, mentioned on pages 115, 118, 156, 158, 159, 172, 238

48. RADIATION IN NATURAL FORMS <<page 160>>
a. From Ruskin’s “Elements of Drawing”, mentioned on page 160.

49. JAPANESE COMPOSITIONS <<page 161>>
a. From Kotsugaro Yenouye’s “Fine Art Pictures”, mentioned on pages 46, 156, 161.

50. CATTLE, by Troyon, <<page 173>>
a. From a photograph, mentioned on pages 16, 158, 172.

<xviii>

51. DECLINE OF CARTHAGE, by J. W. M. Turner <<page 175>>
a. From a photograph, mentioned on pages 16, 31, 82, 118, 156, 159, 172, 238.

52. THE SOLDIER’S RETURN, REHEF ON NATIONAL MONUMENT NEAR BINGEN ON THE RHINE <<page 176>>
a. From a photograph, mentioned on pages 16, 26, 174, 182, 257.

53. GERMAN CAPTIVE, statue of, Vatican <<page 177>>
a. From Baring-Gould’s “ Germany “, mentioned on pages 176, 182, 257.

54. MITHRAS STABBING THE BULL , sculptured relief from the Louvre <<179>>
a. From Muller’s “Denkmaler der Alten Kunst”, mentioned on pages 74, 120, 180, 218.

55. OTHELLO, by Carl Becker <<page 181>>
a. From a photograph, mentioned on pages 72, 174, 181, 239.

56. THE DANCER, fragmentary sculpture of, <<page 183>>
a. From Abbott’s “Pericles”, mentioned on pages 16, 144, 182, 257.

57. NERO, bust inscribed with name of, British Museum , <<page 184>>
a. From Ragozin’s “ Chaldea “, mentioned on page 183.

58. LUCCA MADONNA, by Fra Bartolommeo, <<page 185>>
a. From a photograph, mentioned on pages 72, 185.

59. THE OLD LOUVRE, <<page 187>>
a. From Masson’s “Mediaeval France”, mentioned on page 186.

60. THEATRE AND TON-HALLE, part of design for, <<page 191>>
a. From the Architectural Record, mentioned on pages 22, 190, 208, 261.

61. PUBLIC LIBRARY, New London , Connecticut <<page 193>>
a. From the Architectural Record, mentioned on pages 123, 190.

62. THE VITRUVIAN SCROLL <<page 200>>
a. From photograph of an engraving, mentioned on page 200.

63. THE GREEK FEET <<page 200>>
a. From photograph of an engraving, mentioned on page 200.

64. SECTION OF ORNAMENTAL DOORWAY, Khorsbad, Chaldea <<page 201>>
a. From Ragozin’s “ Chaldea “, mentioned on page 201.

<xix>

65. TRIGLYPHS AND METOPES, from a Greek Temple <<202>>
a. From photograph of an engraving, mentioned on page 201.

66. OLD BRIDGE AT COBLENTZ, by Turner <<page 203>>
a. From Ruskin’s “Elements of Drawing”, mentioned on pages 48, 159, 174, 203.

67. ST. NIZIER, Church of, Lyons <<page 205>>
a. From a photograph, mentioned on pages 22, 189, 206, 208, 261.

68. SALISBURY CATHEDRAL, from the Northwest <<page 207>>
a. From a photograph, mentioned on pages 18, 76, 186, 190, 206, 261.

69. POUTOU TEMPLE , near Ningpo , China <<page 208>>
a. From a photograph, mentioned on pages 18, 124, 207, 240.

70. THE HOLY NIGHT, by Correggio <<page 215>>
a. From a photograph, mentioned on pages 16, 72, 80, 120, 190, 214, 257.

71. GATE OF THE PALACE, Nancy <<page 218>>
a. From Masson’s “Mediaeval France”, mentioned on pages 76, 219.

72. CHATEAU AT MONTIGNY <<page 221>>
a. From a photograph, mentioned on pages 31, 37, 77, 78, 124, 222, 235, 251.

73. LANDSCAPE WITH WATER by Corot <<page 223>>
a. From a photograph, mentioned on pages 118, 156, 172, 174, 222, 234.

74. WINDOW IN THE ALHAMBRA <<page 225>>
a. From Lane-Poole’s “Moors in Spain “, mentioned on pages 37, 222, 236.

75. THE LAOCOON, sculpture group of <<page 226>>
a. From a photograph, mentioned on pages 120, 182, 204, 235, 238.

76. WINCHESTER CATHEDRAL , ENGLAND , South aisle of <<page 227>>
a. From a photograph, mentioned on page 240.

77. ST. LOO CATHEDRAL, FRANCE, interior of <<page 234>>
a. From a photograph, mentioned on page 240.

78. BEVERLEY MINISTER , ENGLAND , interior of <<page 235>>
a. From a photograph, mentioned on pages 238, 241, 264.

79. EXETER CATHEDRAL, interior of <<page 236>>
a. From a photograph, mentioned on pages 238, 241, 264.

<xx>

80. ST. HILAIRE, Church of, Rouen <<page 237>>
a. From a drawing, mentioned on pages 124, 241, 251.

81. FRONT ELEVATION <<page 238>>
a. From G.H. Edbrooke, Architect, New York , mentioned on pages 241, 251.

82. SIDE ELEVATION <<page 238>>
a. From G.H. Edbrooke, Architect, New York , mentioned on pages 241, 251.

83. TOWER OF BORIS , Kremlin, Moscow <<page 239>>
a. From a drawing, mentioned on page 241.

84. DOME OF CHIAVAVALLE, Italy <<page 240>>
a. From a drawing, mentioned on page 241.

85. CHATEAU DE RANDAU, Vichy , France <<page 258>>
a. From a photograph, mentioned on pages 124, 180, 262.

86. CHAPEL IN CATACOMBS OF ST. AGNES, Rome <<page 259>>
a. From Turner’s “Short History of Art,” mentioned on page 262.

87. ST. BOTOLPH’S CHURCH, Boson , England , interior of <<page 260>>
a. From a photograph, mentioned on page 262.

88. ST. MARTYN’S CHURCH, Canterbury , England , interior of. <<page 261>>
a. From a photograph, mentioned on page 262.

89. LITCHFIELD CATHEDRAL, England , interior of <<page 262>>
a. From a photograph, mentioned on page 262.

90. FARNESE PALACE , Rome – façade <<page 263>>
a. From a photograph, mentioned on page 265.

91. CURVE EXEMPLIFYING GRADATION <<page 282>>
a. From Ruskin’s “Modern Painters,” mentioned on pages 282-284.

92. CURVE EXEMPLIFYING GRADATION <<page 283>>
a. From Ruskin’s “Modern Painters,” mentioned on pages 282-284.

93. THESEUS, sculpture of <<page 285>>
a. From Abbott’s “Pericles,” mentioned on page 284.

94. THE DEATH OF ANANAIS, by Raphael <<page 288>>
a. From a photograph, mentioned on pages 72, 144, 257, 287, 297.

<xxi>

95. DOORWAY OF CHURCH, in Jak , Hungary <<page 289>>
a. From Lubke’s “History of Art,” mentioned on pages 180, 291.

96. ARCH IN THE ALJAFERIA, of Zaragoza <<page 290>>
a. From Lane-Poole’s “Moors in Spain ,” mentioned on pages 37, 180, 291.

97. SIENNA CATHEDRAL, Italy , façade <<page 292>>
a. From Turner’s “Short History of Art,” mentioned on pages 18, 87, 207, 261, 291.

98. RATH-HOUSE, Brunswick , Germany <<page 294>>
a. From Zimmern’s “Hansa-Towns,” mentioned on page 295.

99. SAN PEDRO DE CARDENA, interior of <<page 296>>
a. From Lane-Poole’s “Moors in Spain ,” mentioned on page 295.

100. ST. MACLOU, Rouen , France <<page 298>
a. From a photograph, mentioned on page 295.

[special illustration: “Methods of Art-Composition” <<page 131>> ]

The author wishes to express his sense of obligation to the various artists, publishers, and authors to whom he is indebted for kind permission to insert in this book such illustrations and poems as are owned by them, or protected by their copyrights.

<xxii>


PICTORIAL ILLUSTRATIONS. 1. ACROPOLIS, Restoration of the West end of the, <<page 15>> a. From White’s “Plutarch”, mentioned on pages 16, 75, 89, 123, 207, 261. 2. COLOGNE CATHEDRAL, facade. <<page 17>> a. From a photograph, mentioned on pages 18, 87, 90, 190, 207, 291. 3. TAJ-MAHAL, façade, Agra , India <<page 19>> a. from a photograph, mentioned on pages 18, 75, 77, 87, 96, 124, 180, 186, 190, 207, 261. 4. EDISON BUILDING , New York , <<page 21>> a. From Architectural Record, mentioned on pages 22, 189, 208 5. CENTRAL CONGREGATIONAL CHURCH, Providence RI <<page 23>> a. from Architectural Record, mentioned on pages 22, 189, 208 6. ROMANS BESIEGING A GERMAN FORTRESS, <<page 27>> a. From baring-Gould’s “ Germany “, mentioned on pages 16, 26, 174, 182. 7. EROS, statue of, in British Museum , <<page 30>> a. From Muller’s “Denkmaler der alten kunst”, mentioned on pages 31, 186, 289. 8. TOWER WITH RING, <<page 31>> a. From Ruskin’s “Elements of Drawing”, mentioned on page 31. 9. ANCIENT KORAN CASE <<page 38>> a. From Lane-Poole’s “Moors in Spain “, mentioned on pages 37, 224. 10. SCHOOL OF ATHENS , by Raphael <<page 41>> a. From photograph of an engraving, mentioned on pages 39, 82, 242. <xv> 11. GATE OF SERRANO, Valencia , Spain <<page 47>> a. From Lane-Poole’s, "Moors in Spain ", mentioned on pages 48, 79, 87, 96. 12. SACRED HEART, Church of, Paris , <<page 49>> a. From the Architectural Record, mentioned on pages 18, 50, 190, 264 13. LEAVES ILLUSTRATING PRINCIPALITY, SUBORDINATION, AND COMPLEMENT, <<page 69>> a. From Ruskin’s “Elements of Drawing”, mentioned on page 69. 14. PIANKLI RECEIVING THE SUBMISSION OF NAMRUT AND OTHERS, <<page 70>> a. From Rawlinson’s “Ancient Egypt”, mentioned on pages 70, 189. 15. HENRY II RECEIVING FROM GOD THE CROWN, ETC., <<page 71>> a. From Baring-Gould’s “ Germany “, mentioned on pages 72, 18. 16. THE DESCENT FROM THE CROSS, by Rubens <<page 73>> a. From a photograph, mentioned on pages 16, 72, 80, 144, 190, 214, 235, 257. 17. LEDA, statue at Florence , <<page 74>> a. From Muller’s “Denkmaler der alten kunst”, mentioned on pages 74, 85, 179, 289. 18. TITUS, statue from the Louvre, <<page 74>> a. From Muller’s “Denkmaler der alten kunst”, mentioned on pages 75, 85, 120, 180, 289. 19. DIANA, statue from the Louvre, <<page 75>> a. From Muller’s “Denkmaler der alten kunst”, mentioned on pages 75, 85, 120, 186. 20. MERCURY, bronze statute of, from Herculaneum , <<page 76>> a. From Muller’s “Denkmaler der alten kunst”, mentioned on pages 75, 85, 120. 21. THE WRESTLERS, sculpture of <<page 77>> a. From Abbott’s “Pericles”, mentioned on 75, 85. 22. HOUSES OF PARLIAMENT, from Old Palace Yard, <<page 78>> a. From a photograph, mentioned on page 76. 23. ST. PETER’S, façade, at Rome <<page 78>> a. From a photograph, mentioned on pages 18, 77, 87, 96, 124, 186, 207, 265. <xvi> 24. TWIN VILLA <<page 79>> a. From Palliser, Palliser, & Co. Architects, New York , mentioned on pages 77-79, 123, 124, 187. 25. INVESTITURE OF A BISHOP BY A KING, <<page 80>> a. From Baring-Gould’s “ Germany “, mentioned on pages 48, 79. 26. POLLICE VERSO, by Gerome, <<page 81>> a. From a photograph, mentioned on pages 16, 30, 72, 80, 82, 144, 172, 179, 182, 217, 239, 257. 27. DISCOBOLUS, statue of <<page 83>> a. From Turner’s “Short History of Art” mentioned on page 85. 28. SMALL HOUSE <<page 84>> a. From Palliser, Palliser, & Co. Architects, New York , mentioned on pages 85, 96, 124, 187. 29. PALACE OF JUSTICE , Lyons <<page 85>> a. From a photograph, mentioned on pages 87, 96, 261. 30. SULEYMANIYA MOSQUE <<page 86>> a. From Lane-Poole’s “ Turkey “, mentioned on page 90. 31. ST. MARK’S, Venice , with Campanile <<page 88>> a. From a photograph, mentioned on pages 18, 77, 87, 90, 96, 124, 180, 186, 190, 207, 261, 262. 32. CANTERBURY CATHEDRAL from Southwest <<page 89>> a. From a photograph, mentioned on pages 18, 77, 90, 124, 207, 261. 33. IFFLEY CHRUCH, England <<page 90>> a. From a photograph, mentioned on pages 92, 124. 34. SHADYSIDE PRESBYTERIAN CHURCH <<page 91>> a. From the Architectural Record, mentioned on pages 92, 96, 124, 186, 190. 35. PLAN FOR A CHURCH EXTERIOR <<page 93>> a. From G. H. Edbrooke, Architect, New York , mentioned on page 92. 36. INTERIOR GROUND PLAN OF SAME CHURCH <<94>> a. From G. H. Edbrooke, Architect, New York , mentioned on page 92. <xvii> 37. CATHEDRAL, Ground Plan for <<page 95>> a. From G. H. Edbrooke, Architect, New York , mentioned on page 95. 38. LA BELLE JARDINIERE, by Raphael <<page 116>> a. From a photograph, mentioned on page 116. 39. MADONNA DELLA SEDIA, by Raphael <<page 117>> a. From a photograph, mentioned on page 117. 40. EVENING, by Claude Lorraine <<page 119>> a. From a photograph, mentioned on pages 31, 118, 146, 156, 172. 41. MARKET OF ATHENS RESTORED <<page 121>> a. From Harrison’s “ Greece “, mentioned on pages 79, 120, 122, 123, 289. 42. ST. SOPHIA, CONSTANTINOPLE <<page 123>> a. From Lane-Poole’s “ Turkey “, mentioned on pages 18, 76, 77, 96, 124, 180,187, 190,207, 261, 262. 43. VILLAGE DANCE, by D. Teniers, <<page 143>> a. From a photograph, mentioned on pages 16, 82, 144, 190. 44. A STORM, by J. F. Millet <<page 145>> a. From a photograph, mentioned on page 144. 45. GROUP OF NIOBE, sculpture from <<page 146>> a. From Muller’s “Denkmaler der Alten Kunst”, mentioned on pages 16, 144, 204, 257, 298. 46. TRANSFIGURATION, by Raphael <<page 147>> a. From a photograph, mentioned on pages 72, 82, 116, 118, 148, 257. 47. CANAL, by Corot <<page 157>> a. From a photograph, mentioned on pages 115, 118, 156, 158, 159, 172, 238 48. RADIATION IN NATURAL FORMS <<page 160>> a. From Ruskin’s “Elements of Drawing”, mentioned on page 160. 49. JAPANESE COMPOSITIONS <<page 161>> a. From Kotsugaro Yenouye’s “Fine Art Pictures”, mentioned on pages 46, 156, 161. 50. CATTLE, by Troyon, <<page 173>> a. From a photograph, mentioned on pages 16, 158, 172. <xviii> 51. DECLINE OF CARTHAGE, by J. W. M. Turner <<page 175>> a. From a photograph, mentioned on pages 16, 31, 82, 118, 156, 159, 172, 238. 52. THE SOLDIER’S RETURN, REHEF ON NATIONAL MONUMENT NEAR BINGEN ON THE RHINE <<page 176>> a. From a photograph, mentioned on pages 16, 26, 174, 182, 257. 53. GERMAN CAPTIVE, statue of, Vatican <<page 177>> a. From Baring-Gould’s “ Germany “, mentioned on pages 176, 182, 257. 54. MITHRAS STABBING THE BULL , sculptured relief from the Louvre <<179>> a. From Muller’s “Denkmaler der Alten Kunst”, mentioned on pages 74, 120, 180, 218. 55. OTHELLO, by Carl Becker <<page 181>> a. From a photograph, mentioned on pages 72, 174, 181, 239. 56. THE DANCER, fragmentary sculpture of, <<page 183>> a. From Abbott’s “Pericles”, mentioned on pages 16, 144, 182, 257. 57. NERO, bust inscribed with name of, British Museum , <<page 184>> a. From Ragozin’s “ Chaldea “, mentioned on page 183. 58. LUCCA MADONNA, by Fra Bartolommeo, <<page 185>> a. From a photograph, mentioned on pages 72, 185. 59. THE OLD LOUVRE, <<page 187>> a. From Masson’s “Mediaeval France”, mentioned on page 186. 60. THEATRE AND TON-HALLE, part of design for, <<page 191>> a. From the Architectural Record, mentioned on pages 22, 190, 208, 261. 61. PUBLIC LIBRARY, New London , Connecticut <<page 193>> a. From the Architectural Record, mentioned on pages 123, 190. 62. THE VITRUVIAN SCROLL <<page 200>> a. From photograph of an engraving, mentioned on page 200. 63. THE GREEK FEET <<page 200>> a. From photograph of an engraving, mentioned on page 200. 64. SECTION OF ORNAMENTAL DOORWAY, Khorsbad, Chaldea <<page 201>> a. From Ragozin’s “ Chaldea “, mentioned on page 201. <xix> 65. TRIGLYPHS AND METOPES, from a Greek Temple <<202>> a. From photograph of an engraving, mentioned on page 201. 66. OLD BRIDGE AT COBLENTZ, by Turner <<page 203>> a. From Ruskin’s “Elements of Drawing”, mentioned on pages 48, 159, 174, 203. 67. ST. NIZIER, Church of, Lyons <<page 205>> a. From a photograph, mentioned on pages 22, 189, 206, 208, 261. 68. SALISBURY CATHEDRAL, from the Northwest <<page 207>> a. From a photograph, mentioned on pages 18, 76, 186, 190, 206, 261. 69. POUTOU TEMPLE , near Ningpo , China <<page 208>> a. From a photograph, mentioned on pages 18, 124, 207, 240. 70. THE HOLY NIGHT, by Correggio <<page 215>> a. From a photograph, mentioned on pages 16, 72, 80, 120, 190, 214, 257. 71. GATE OF THE PALACE, Nancy <<page 218>> a. From Masson’s “Mediaeval France”, mentioned on pages 76, 219. 72. CHATEAU AT MONTIGNY <<page 221>> a. From a photograph, mentioned on pages 31, 37, 77, 78, 124, 222, 235, 251. 73. LANDSCAPE WITH WATER by Corot <<page 223>> a. From a photograph, mentioned on pages 118, 156, 172, 174, 222, 234. 74. WINDOW IN THE ALHAMBRA <<page 225>> a. From Lane-Poole’s “Moors in Spain “, mentioned on pages 37, 222, 236. 75. THE LAOCOON, sculpture group of <<page 226>> a. From a photograph, mentioned on pages 120, 182, 204, 235, 238. 76. WINCHESTER CATHEDRAL , ENGLAND , South aisle of <<page 227>> a. From a photograph, mentioned on page 240. 77. ST. LOO CATHEDRAL, FRANCE, interior of <<page 234>> a. From a photograph, mentioned on page 240. 78. BEVERLEY MINISTER , ENGLAND , interior of <<page 235>> a. From a photograph, mentioned on pages 238, 241, 264. 79. EXETER CATHEDRAL, interior of <<page 236>> a. From a photograph, mentioned on pages 238, 241, 264. <xx> 80. ST. HILAIRE, Church of, Rouen <<page 237>> a. From a drawing, mentioned on pages 124, 241, 251. 81. FRONT ELEVATION <<page 238>> a. From G.H. Edbrooke, Architect, New York , mentioned on pages 241, 251. 82. SIDE ELEVATION <<page 238>> a. From G.H. Edbrooke, Architect, New York , mentioned on pages 241, 251. 83. TOWER OF BORIS , Kremlin, Moscow <<page 239>> a. From a drawing, mentioned on page 241. 84. DOME OF CHIAVAVALLE, Italy <<page 240>> a. From a drawing, mentioned on page 241. 85. CHATEAU DE RANDAU, Vichy , France <<page 258>> a. From a photograph, mentioned on pages 124, 180, 262. 86. CHAPEL IN CATACOMBS OF ST. AGNES, Rome <<page 259>> a. From Turner’s “Short History of Art,” mentioned on page 262. 87. ST. BOTOLPH’S CHURCH, Boson , England , interior of <<page 260>> a. From a photograph, mentioned on page 262. 88. ST. MARTYN’S CHURCH, Canterbury , England , interior of. <<page 261>> a. From a photograph, mentioned on page 262. 89. LITCHFIELD CATHEDRAL, England , interior of <<page 262>> a. From a photograph, mentioned on page 262. 90. FARNESE PALACE , Rome – façade <<page 263>> a. From a photograph, mentioned on page 265. 91. CURVE EXEMPLIFYING GRADATION <<page 282>> a. From Ruskin’s “Modern Painters,” mentioned on pages 282-284. 92. CURVE EXEMPLIFYING GRADATION <<page 283>> a. From Ruskin’s “Modern Painters,” mentioned on pages 282-284. 93. THESEUS, sculpture of <<page 285>> a. From Abbott’s “Pericles,” mentioned on page 284. 94. THE DEATH OF ANANAIS, by Raphael <<page 288>> a. From a photograph, mentioned on pages 72, 144, 257, 287, 297. <xxi> 95. DOORWAY OF CHURCH, in Jak , Hungary <<page 289>> a. From Lubke’s “History of Art,” mentioned on pages 180, 291. 96. ARCH IN THE ALJAFERIA, of Zaragoza <<page 290>> a. From Lane-Poole’s “Moors in Spain ,” mentioned on pages 37, 180, 291. 97. SIENNA CATHEDRAL, Italy , façade <<page 292>> a. From Turner’s “Short History of Art,” mentioned on pages 18, 87, 207, 261, 291. 98. RATH-HOUSE, Brunswick , Germany <<page 294>> a. From Zimmern’s “Hansa-Towns,” mentioned on page 295. 99. SAN PEDRO DE CARDENA, interior of <<page 296>> a. From Lane-Poole’s “Moors in Spain ,” mentioned on page 295. 100. ST. MACLOU, Rouen , France <<page 298> a. From a photograph, mentioned on page 295. [special illustration: “Methods of Art-Composition” <<page 131>> ] The author wishes to express his sense of obligation to the various artists, publishers, and authors to whom he is indebted for kind permission to insert in this book such illustrations and poems as are owned by them, or protected by their copyrights. <xxii>
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